2018国际导演大师班(文明古国)师资简介——阿塞姆·纳加狄

发布者:系统管理员发布时间:2018-04-02浏览次数:217

阿塞姆·纳加狄(Assem Nagaty)
 
 
 
阿塞姆·纳加狄是埃及著名演员和舞台导演,自1995年他的职业生涯开始至今,他已经执导了超过50部戏剧作品,并演出过近20余部电影和电视作品。
 
他获得过两个学士学位,一个是1990年在开罗大学获得的机械工程学士学位,另一个是1995年获得的表演和舞台导演学士学位。目前他任教于开罗艺术学院高等戏剧艺术研究所导演系,担任副教授,他也是开罗艺术学院阿拉伯与国际学术论坛的委员。
 
2011年秋季学期和2012年春季学期,他曾作为访问教授任教于美国俄亥俄州立大学,教授阿拉伯戏剧。在该课程里,他描述了19世纪和20世纪,包括社会、经济、政治背景在内的阿拉伯戏剧的情况。
 
纳加狄在埃及文化部担任多个职位,包括:国家戏剧、音乐及民族艺术中心主管,最高文化委员会成员,戏剧委员会成员,民间艺术委员会成员,最高文化委员会艺术节高级委员会成员。
 
尽管他的硕士和博士学位关注于国际戏剧流派研究,比如表现主义和荒诞主义,但他的众多作品包含了阿拉伯戏剧的风格,比如阿拉伯皮影戏风格 “影子幻想”。他利用诸如数码戏剧和交互戏剧等新技术,与他的研究生们一起进行舞台导演工作;而在与本科生的工作中,他的作品更多的关注莎士比亚,让-保罗·萨特和阿瑟·米勒剧本中的台词和潜台词。
 
Assem Nagaty
 
Assem Nagaty is a well known Egyptian actor and stage director.He has directed more than fifty performances since the start of his career in 1995. He has starred in about twenty movies and TV series.
 
He got two bachalor's one in mechanical engineering 1990 Cairo University and another one on acting and stage directing in1995. Now he works as an assistant professor at the  Academy of Arts acting and directing department The High Institute of Theatrical Arts .He also works as a commissioner of the Arabic and International Academic Forums Academy of Arts. Fall 2011 till spring 2012 he taught Arabic Theatre class at OSU (Ohio State University) "USA" as a visiting professor,in this class he portraied the situation of Arabic Theatre in that important era also the social, economical and politic circumastances of Arabic Theatre in the ninteenth and twentieth centuries. He held many positions in the Egyptian Ministry of Culture such as: the Head of the National Center for Theatre, Music and folk Arts, Memmber of Supreme Culture Council.Member of the theatre committee,Member of the folk Arts comittee .Member of the high committee for festivals, Supreme Culture Council.Although his Master and phD degrees are about international Theatre Trends such as Expressionism and Absurdism, his works include Arabic Theatre trends such as Khayal al zill.
 
He works with his post graduate students on the stage directing new techniques such as Digital Thatre and Interactive Theatre. With undergraduate students, his work is varied on the text /subtext of Shakespeare, Jean-Paul Sartre and Arthur Miller.