上海戏剧学院导演系副教授、硕士生导师，上海市美学学会成员，上海市“曙光学者”（2020）
教育背景：
2004年本科毕业于北京大学中国语言文学系中国文学专业，获文学学士学位。
2006年硕士毕业于北京大学新闻与传播学院传播学专业，获文学硕士学位。
2016年博士毕业于复旦大学中国语言文学系文艺学专业，获文学博士学位。
科研经历：
2013年德国莱比锡大学汉学系访问学者
2016-2018年上海戏剧学院导演系师资博士后
研究专长：西方美学、西方戏剧美学、艺术学理论
主讲课程：《美学基础》、《艺术学概论》、《西方哲学》、《现代德语戏剧代表作品赏析》、《中国古典文学》
代表著作：
1、《艺术中直观永恒的绝对——谢林美学思想研究》上海：上海人民出版社•上海书店出版社2018年。
２、《遇见表演艺术》，上海：上海交通大学出版社2021年5月。
代表论文：
1、章文颖：《谢林美育形而上学的现实关怀》，《美育学刊》2021（2）
2、章文颖：《毕希纳<沃伊采克>的多维批判意蕴及其剧场呈现》，《戏剧艺术》2020（2）
3、章文颖：《谢林美学中自然与艺术的关系》，《中外文化与文论》（第36辑）2017
4、章文颖：《试论谢林戏剧美学的独特内涵及其现代意义》,《戏剧艺术》2017（4）
5、朱立元、章文颖：《马克思实践存在论与现代美学革命》，《马克思主义美学研究》第16卷第2期
6、朱立元、章文颖：《实践美学的重要推进——略论刘纲纪先生的实践本体论美学》，《文艺理论研究》2013（1）
7、章文颖《后现代语境下当代大学生戏剧审美价值观探究》《思想理论教育》2012-4（上）
主持科研项目：
1、“谢林美学对现代西方美学和艺术的意义及影响研究”，教育部人文社会科学研究青年基金项目（项目批准号：18YJCZH256），同时受第11批中国博士后科学基金特别资助（资助编号：2018T110404）。
2、“现代德语戏剧美学与创作实践中的批判精神研究”，上海市教育发展基金会和上海市教育委员会“曙光计划”资助项目（20SG49），同时受第62批中国博士后科学基金面上资助一等资助（资助编号：2017M620163）。
Zhang Wenying
Associate Professor &postgraduate supervisor, Stage Directing Department, Shanghai Theatre Academy, member of Shanghai Aesthetic Research Society, Shanghai “Shuguang Scholar”(2020)
Educational Background:
In 2004, she graduated from the Department of Chinese language and literature, Peking University, majoring in Chinese literature,Bacholar of Arts degree
In 2006,she graduated from school of Journalism and communication, Peking University, majoring in communication theory, Master of Arts degree.
In 2016, he graduated from the Department of Chinese language and literature of Fudan University, majoring in theory of literature and art, Doctor of Arts degree.
Research experience:
Visiting scholar of Sinology Department of Leipzig University ,Germany, in 2013
Post doctoral teacher, Stage Directing Department, Shanghai Theatre Academy, 2016-2018
Research expertise:
Western aesthetics, western drama aesthetics, art theory
Teaching courses:
Aesthetics Theory, Introduction to Art, Western Philosophy,Analysis and Appreciation of Representative Modern German Theatrical Works，Chinese Ancient Literature
Representative works:
1. To Intuite to the Timeless Absolute in Art: the Research on Schelling's Aesthetics. Shanghai: Shanghai People's Publishing House · Shanghai Bookstore press, 2018.
2. Art of Performance. Shanghai: Shanghai Jiaotong University Press, 2021.5.
Representative thesis:
1. Zhang Wenying.The Realistic Concern of Schelling’s Aesthetic Education Metaphysics, Journal of Aesthetic Education Meiyu Xuekan 2021(2) .
2.Zhang Wenying.Multidimentional Critical Implications and Theatrical Presentations of Büchner's Woyzeck, Theatre Arts2020(2).
3. Zhang Wenying.The Relationship between Nature and Art in Schelling's Aesthetics,Cultral Studies and Literary Theory,No.36,2017.
4. Zhang Wenying.A Tentative Study of the Distinct Connotation and Modern Significance of Schelling's Aesthetics of Drama. Theatre Arts.2017(4).
5. Zhu Liyuan, Zhang Wenying.Marxist Practical Materialism and Modern Aesthetic Revolution.Research on Marxist Aesthetics.2013(2).
6. Zhu Liyuan, Zhang Wenying.On Liu Gangji's Practical Ontological Aesthetics as an Advance of Practical Aesthetics.Theoretical Studies in Literature and Art.2013(1).
7. Zhang Wenying.Research on Contemporary College Students' Dramatic Aesthetic Values in the Postmodern Context.Ideological & Theoretical Education2012(4.1)
Research Projects:
1. A Study of Schelling Aesthetics’ Significance and Influence on Modern Western Aesthetics and Art.Sponsored Humanities Social Sciences Study the Youth Fund Project supported by the Ministry of Education (18YJCZH256) , the 11th special funding from the China Postdoctoral Science Foundation (Funding No. 2018T110404).
2．A Study on the Critical Spirit of Modern German Theatre Aesthetics and Production. Sponsored by “Shuguang Program” (20SG49) supported by Shanghai Education Development Foundation and Shanghai Municipal Education Commission , the 62nd first-class General Grant from the China Postdoctoral Science Foundation (Funding No. 2017M620163).
